May 19, 2012 at 10:15 pm | 3d
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Visual Images
May 19, 2012 at 1:03 pm | 3d
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http://www.3dtv.com/user/1Tompo1 this is a 3d video so put on 3d glasses red and cyan 3d glasses recommended.this 3d video has the youtube 3d tag so you can pick you view method.
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FREE 3D Glasses: http://www.3dn3d.com/
3D Facebook: http://www.facebook.com/3DSpot
View cool 3D Photos: http://www.3dn3d.com/3d-photos-red-and-cyan/
LIKE ME: http://www.facebook.com/3DSpot
Follow ME: https://twitter.com/#!/3dvideos
BEST 3D EVER: http://www.youtube.com/watch?v=foQNrtUsEjw
Duration : 0:2:33
May 19, 2012 at 12:32 pm | 3d
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Product DescriptionIn the hundred-year-plus history of aviation, truly radical new aircraft designs come along only once in a generation, and since the early 1970s, there has been very little new in the skies… that is, until now. Soaring onto the passenger airline scene are the “Game changing” Boeing 787 Dreamliner and the Airbus A380.
See how a century of aviation trial and error, and some of the seminal airplanes of the 20th century influenced the design of the Dreamliner. You’ll thrill at the flight of a few of these legendary airplanes in some of the most breathtaking sequences ever seen. You will see the first public flight of the massive, but super efficient Airbus A380 at the 2007 Paris Air Show and the first flight of the smaller, even more efficient 787, the first-ever carbon fiber airliner that made its maiden flight in 2009. This unique cinematic experience shows how the 787 might affect the next 100 years of aeronautical design.
May 19, 2012 at 10:33 am | 3d
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If so, explain how? Because i want to take 3d pictures and make 3d movies?
To make 3d images you have to have two cameras or a camera with two lenses placing two images at different points on the film. So yes you could do it with digital cameras. The spacing of the lenses/cameras has to approximate the spacing of the human eyes with adjustment for use of telephoto, wide angle, etc., lenses.
Once you have the images, you have to present them to the eyes in a way that will let each eye see the matching image. In theaters this is done most often with a pair of projectors and one image being polarized at an angle opposite the other – the viewers use gray polarized glasses and can view color. The older method can combine the two images on one film, printing one in blue and the other in red and views wear glasses with red and blue filters so each eye sees only one image, but the scene must be monochrome (black and white) since color is used for coding.
View can be done with a pair of displays, two prints as in ancient (1890′s) stereo viewers or two transparencies with the items mounted in a circle that were popular in the 50′s. For electronic viewing there is the choice of two miniature LCD displays mounted closely in front of the eyes or a pair of high speed electronic shutters with a matching display that shows the two images in alternate frames with only one eye seeing each frame.
Images where you look and see a 3D image directly are holograms that directly record the wave fronts on film and require lasers to make and much higher resolution than digital now offers.
May 19, 2012 at 3:08 am | 3d
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http://gplus.to/TonyDarnell
http://twitter.com/DeepAstronomy
http://facebook.com/SpaceFan
I’ve recently discovered an animation that was rendered using the measured redshift of all 10,000 galaxies in the Hubble Ultra Deep Field image.
I’ve written a short script that leads you through a quick history of both deep field images and this video ends with a fly-through of the Ultra Deep Field.
Every galaxy in the image is in its proper distance as viewed from the telescope line of sight.
As if this image wasn’t amazing enough.
Animation Credit:
Hubble Cosmological Redshift Animation Courtesy:
http://hubblesite.org/newscenter/archive/releases/2004/28/video/b/
Mike Gallis
http://phys23p.sl.psu.edu/phys_anim/Phys_anim.htm
Music Used in this video was purchased from stockmusic.net and belongs to the Spirit Legends Collection.
The tunes I used were:
Voice Redo B
Voice in the Dark
Link to demos:
http://www.stockmusic.net/index.cfm/page/main.collectionDetails/collectionId/67
Duration : 0:4:17
May 19, 2012 at 1:21 am | 3d
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The usual explanation for our 3d vision is that, having 2 eyes, the crossed result of their slightly different vision creates the 3d effect. However, if I close one eye, I don’t experience any sudden flattening of my vision; nor I think that one-eyed people have problems perceiving depth, do they? So, what’s the REAL mechanism behind 3d vision?
That usual explanation *is* the "REAL" explanation.
The reason you don’t experience a"flattening" of your vision is because you have a memory. Before you closed your one eye your brain had *already* worked out distances to things based on those slight perspective differences in what both your eyes had seen.
If you don’t think that one-eyes people have depth perception problems, put on an eyepatch and play catch with somebody. Better yet, wear an eye patch all day, from the moment you get up, and count how many things you misjudge distances to when reaching to pick them up or to catch them when thrown at you.
May 18, 2012 at 9:46 pm | 3d
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Versions of The Lion King on Blu-ray and DVD
 The Lion King (Two-Disc Diamond Edition Blu-ray / DVD Combo in Blu-ray Packaging)
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 The Lion King (Two-Disc Diamond Edition Blu-ray / DVD Combo in DVD Packaging)
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 The Lion King (Four-Disc Diamond Edition Blu-ray 3D / Blu-ray / DVD / Digital Copy)
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 The Lion King Trilogy (Eight-Disc Combo: Blu-ray 3D / Blu-ray / DVD / Digital Copy)
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|---|---|---|---|---|
| Release Date | October 4, 2011 | October 4, 2011 | October 4, 2011 | October 4, 2011 |
| Format/Disc # | Blu-ray, DVD | DVD, Blu-ray | Blu-ray 3D, Blu-ray, DVD, Digital Copy | The Lion King includes: Blu-ray 3d, Blu-ray, DVD, Digital Copy
The Lion King 1 ½ includes: DVD, Blu-ray The Lion King 2 includes: DVD, Blu-ray
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| Blu-ray 3D | No | No | Yes | Yes (The Lion King Only) |
| Blu-ray | Yes | Yes | Yes | Yes |
| DVD | Yes | Yes | Yes | Yes |
| Digital Copy | No | No | Yes | Yes (The Lion King Only) |
| Bonus Features |
4 Never-Before-Seen Deleted Scenes;
Deleted Song; The Morning Report: Extended scene; Never-Before-Seen Bloopers; Disney Second Screen*; Pride of The Lion King; The Lion King: A Memoir- Don Hahn; Disney Sing Along Mode; Interactive Gallery; Audio Commentary; Disney’s Virtual Vault: Classic DVD Features Powered by BD-Live*
*Not Available in all territories. Features subject to change. |
Same as The Lion King (Two-Disc Diamond Edition Blu-ray / DVD Combo in Blu-ray Packaging | Same as The Lion King (Two-Disc Diamond Edition Blu-ray / DVD Combo in Blu-ray Packaging) | The Lion King: Same as The Lion King (Two-Disc Diamond Edition Blu-ray / DVD Combo in Blu-ray Packaging)
The Lion King 1 ½: Timon and Pumbaa’s Vacation Safari; Deleted Scenes; Timon: Behind the Legend; Before the Beginning: The Making of The Lion King 1 ½; Music Video The Lion King 2: Timon and Pumbaa’s Insectapedia; “One by One”- Animated Short; Proud of Simba’s Pride; Timon and Pumbaa: Find Out Why; Music Video
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May 18, 2012 at 5:03 pm | 3d
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Like Us https://www.facebook.com/theamazingspiderman
Follow Us: https://twitter.com/#!/spidermanmovie
Visit the Official Site: http://theamazingspiderman.com/
Duration : 0:4:3
May 18, 2012 at 2:24 pm | 3d
- Posted by admin | 3 Comments
I am making an independent film and will need to place/paste some 3d characters I have made with Autodesk Maya into the live action scenes. I have created the 3d characters with Maya & Motionbuilder and will be using Adobe for all the video editing. What programs can I use to place the 3d characters into live action film? Can After Effect do that? Also any websites or articles with info about this procedure. Thanks for help.
I have done this many times. I am a 3d animator, and the best program I would say to use is adobe after effects.
It has all the keying effects, and mating you need to get the job done professionally. I used Autodesk Maya to do my 3D, where i would have the 3D object, and render it separately, and composite in AE.
http://atomicmass3d.com/index.html
-mark
May 18, 2012 at 11:48 am | 3d
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A barrage of 3-D effects enlivens Paul W.S. Anderson’s Resident Evil: Afterlife, the fourth entry in the seemingly endless action-science fiction horror franchise based on the popular Capcom video Game series. Plot, dialogue, and character development all remain secondary considerations; what’s key here are the set pieces that allow Milla Jovovich to unleash maximum damage to virally infected zombies, villainous henchmen, and just about anyone else who stands in the way of her stopping the shadowy Umbrella Corporation. Jovovich retains the blend of grit and pulchritude that have made her a fanboy favorite (though said viewers may decry the film’s bit of shower-scene interruptus), and she’s well supported by returning cast members Ali Larter and Boris Kodjoe (Undercovers) and Prison Break‘s Wentworth Miller, who, as Claire’s brother, is back behind bars in a postapocalyptic jail overrun by plague zombies. And the 3-D effects are impressive and give a shot of adrenaline to the already hyper-driven action and CGI elements. Those looking for more than what the Resident Evil franchise is designed to provide–souped-up, B-movie thrills–are advised to lower their expectations; franchise devotees should be pleased, especially by the film’s final scene, which (naturally) sets up another sequel. –Paul Gaita